Living in Japan offers a lot of perks yes, but also a handful of drawbacks. Chief among them, no Thanksgiving. That means no obnoxiously large amount of turkey, stuffing, corn bread or pie (oh how I miss it!), a trip to McDonald’s serving as a substitute for “American food.” No lazily sitting around watching football, unless refreshing ESPN counts. Hell, I’d settle for the parade at this point. So, all you folks who live somewhere they do gorge on poultry and athletics, be thankful you can do that instead of watching Japanese game shows like a zombie while munching on a Quarter Pound.
Positives to no Thanksgiving? Well, I have nowhere to be on a Friday night…so that means Music Station! Let’s get to this.
8:00 – Here we go! Before the swirl of bright graphics, though, Japan’s treated to an ad for “Romantic Christmas,” a compilation of, well you know, performed by J-Pop stars. The holiday season is finally here…even the creepy voice introducing the performers references it!
8:01 – The star of Buzzer Beat, Tomohisa Yamashita, gets to appear on this show for the second straight week, apparently to play the same song he did last week. These things happen when the audience is 99 percent female.
8:03 – GIRL NEXT DOOR perform their song “Orion” in the Peanuts Christmas tree lot with just enough room carved out for a violin section and a piano. The song itself starts up slow, the piano and vocals all but assuring we will be treated to a big emotional ballad. But then! A minute-so into the song a dance beat charges in to make this a slightly more hoppy affair, joined by some cheesy electronica squiggles far off in the back. “Orion” settles into this get-up for the next few minutes. The song’s got a great chorus that allows the lead singer to show off her impressive vocal chops, but that could be said for a lot of J-Pop songs so don’t get too excited. Ultimately forgettable, though the Christmas trees looked pretty!
(Video of song here. There is another, much worse Euro-technopop song tacked on in the second half, exercise caution.)
8:05 – Single rankings of the week pop up. One song is called “America” from a CD about…America? The case had some goofy anime dude flying out of the Stars and Stripes to hug the world. The rest of the chart features much more familiar names…EXILE, Arashi, Funkey Monkey Babys. The top three feature the Buzzer Beat guy at three, followed by…huh??? Two songs I actually like? The second spot goes to Bump Of Chicken for “R.I.P.” while the pole position belongs to LANDS, and their enjoyable dance-rock number “Bandage.”
8:12 – Tomohisa Yamashita wearing what appears to be a glitter coated snow cap stuns the audience by performing a song he sang on the same program last week. This programming decision forces me to rehash the exact same sentiments I had last time I listened to this tune (it’s not good), so I’ll spare you the leftovers. My only new insight into “Loveless” is that it must be full of emotions and feelings and stuff because Yamashita keeps touching his stomach with his hand like he’s about throw up.
8:17 – This week’s Music Station montage focuses on the rock acts of Japan’s yesteryear. I realize it’s seriously easy to rip on a generation for their fashion choices…but geez, the people from this montage are hilariously dressed. If the Whitesnake tour bus smashed into a ska concert, you’d see better fashion results. OK, cue up the video of Michael Ian Black deadpanning to the camera about Blind Melon.
8:25 – Montage still going strong. Hey, you guys remember Rainbow Brite? The ’80s, crazy am I right?
8:32 – Seeing Music Station live must be one of the most boring ways someone could spend their Friday night. “Next up, this singer will watch some old video clips and then answer some laborious trivia questions!”
8:33 – Ahhhhh, the next performer is up, and she offers the perfect opportunity to expand on a point. Read Becky’s Wikipedia page. Note how little music factors into her celebrity unless her appearances on Pokemon Sunday include busting out the Pokemon Rap. A fair share of J-Pop artists exist in a similar situation where they exist as “talents,” a vague term best translated to “shows up on a lot of variety shows,” who hitch their flashy wagons to whatever will sell best.
I think it’s safe to say Becky isn’t someone who loses sleep over the artistic merit of her music, which would explain why her Music Station numbers a Christmas-by-numbers song. If the bells joining her mid-tune weren’t clue enough, the set folks made it start snowing her performance to remind us “hey, the holidays are right around the corner, and here’s Becky with a new Christmas tune for y’all! She needs a new coat.” “心こめて” is a great reminder that one shouldn’t get to caught up in a J-Pop singer’s personality when said personality is all about selling product. At the very least though, the people behind these songs could give us something more lively than this.
(Video of song here, and it sounds slightly better. Video also has a really cute bunny in it, so big points.)
8:40 – See, this is cool design! Tokyo Incidents lead singer is surrounded by digital clocks counting down the duration of the song. Even better…the song is pretty good! “能動的三分間” starts off with some disjointed electronics before dropping in drums, guitar and (most importantly) a very smooth bass line. It’s a surprisingly funky affair that never overdoes it. And I say this for half the artists featured on Music Station., but the lead singer’s got a great voice.
8:46 – The last performance of the night belongs to Remioromen. This one starts out incredibly intriguing – the group swirls various strings around before introducing a slightly off-kilter guitar. This blanket of backing music sounds downright dreamy, especially when the lead singer’s Ed Droste-ian voice falls onto it. The chorus, though, feels much more grounded, going for a sort of Coldplay-lite thing that ends up spilling onto the rest of the track. Remioromen promise a lot more than they deliver, but “恋の予感から” ends up a still solid song.
Winner of the Week – A close race between Remioromen and Tokyo Incidents, with the consistently solid swing of the latter winning out over the inconsistent prior. Video below.