Tag Archives: video

Jesse Ruins Release New Video For “Sofija”

Wait, so is it “Sofija” after all? When I bought the Dream Analysis album earlier this year from iTunes, it had dropped the “j” and came closer to sounding like an actual name. Yet now, with the release of this new video, the “j” is back and a glance over at the Captured Track’s website confirms it’s “Sofija.” Confusing!

Less confusing is the above video, which features footage of the trio playing live, along with some lingering shots of lights and the back of heads. It’s a big change from the last “Sofija” video…no blood this time around!…so check it out above. Plus, the song still rules.

New She Talks Silence: “Holy Hands, Holy Voices”

Tokyo’s She Talks Silence expanded into a trio this year, but new track “Holy Hands, Holy Voices” reveals that loneliness remains at the core of this band’s sound. “Holy Hands” doesn’t change up the style She Talks Silence used to craft some of this blog’s favorite songs of the past few years, but rather amplifies it ever so slightly. The guitars are buzzier, slightly more feedback than usual coming out of the speakers during stretches of this song. As Ian Martin notes in his take on this song, there are instances where it sounds like She Talks Silence are about to spill into a guitar solo. Yet underneath all of those cutting noises is Minami Yamaguchi’s voice, a very pretty source of sound but also made to sound tiny against the music, like it’s lost and trying to find a way out of all the cacophony. There are moments where she sounds on the verge of getting out of it, of some sort of transcendence has her voice tries to hit notes she has rarely braved before. Yet, critically, she always gets pulled back in, one glimmering guitar that peaks in later in the song summing up the melancholy of “Holy Hands.” Listen above.

New Chabe (Cubismo Grafico) Video: “Rewind (Holiday 91)”

Here’s a new video from Chabe (who records as Cubismo Grafico and fronts Cubismo Grafico Five), for a song from his album last year. “Rewind (Holiday 91)” was one of the laid-back highlights of Me., which was this blog’s choice for the 23rd best album of 2011. Watch above.

New Molice: “Fatima”

Here’s a new one from Molice, called “Fatima.” It’s some solid follow-the-bouncing-ball rock, improved drastically by the lead vocals, which remind me of (oddly enough) the matter-of-fact delivery of Vanilla Beans. Well, only during the verses…the chorus bursts open as Molice tend to do. The above video also finds the band falling in love with the mirror effect available in most video editing software. Watch above.

New Nanba Shiho: “Kami O Kiru 8 No Riyuu”

She’s on the left, away from the creepy puppet thing.

Straight to the point: This new single from Nanba Shiho pails in comparison to her last two releases, particularly this year’s triumphant “Shoujo, Futatabi.” That song, released all the way back in January, hinted at a better path for J-Pop to follow, one able to hold hands with the future (electronics) while still being loyal to the structures of the past. Shiho imagined a J-Pop world where the digital leanings of Perfume were common-place and integrated into pop form in clever ways. It was the first of many J-Pop songs exploring new territory, whether that be from MiChi’s post-Perfume jaunts or Kyary Pamyu Pamyu’s candy-coated madness. “Shoujo, Futatabi” may not have ended up a sales juggernaut, but it is important in 2012.

This new song, though, seems to be about getting your hair cut over some relatively safe piano strokes and guitar strums and beats. It’s not bad…and their are legitimate sweet moments, like the post chorus “fu-ooos”…but definitely an effort by Shiho’s people to nab her a TV theme show or commercial appearance (a hair cuttery, perhaps?). Nothing wrong with that, but it’s possible to achieve commercial visibility without having to play it so safe…case in point…Shiho’s face graced a series of mobile phone ads here in Tokyo for the last few months, presumably on the strength of her first two, far more adventurous singles. Here, she’s too safe and cutesy…the part where she says “bye bye,” presumably to her hair, just makes me click over to the Zooey Asks Siri Twitter. I’ve still got hope (two for three, not bad!) so let’s just hope the below is able to spread her name more and move on, yeah?

Taquwami Preps Blurrywonder EP, Listen To A Preview Now

Tokyo’s Taquwami, who has been releasing a steady stream of great music over the past few months, has a new EP out in either July or August (as the YouTube description says, “it’s still up in the air”). He’s put together a preview of the album – called Blurrywonder, which manages to describe his production style in one jammed-together word better than I have for like seven months now – which you can listen to above. Now, one should obviously wait until hearing the whole thing to make big statements like “this sounds great” but…this sounds great. Favorite moment is the song that kicks up at about the 4:20 (heh) mark, the one that sounds like Animal Collective’s synths being melted over cough-syruped Euro-pop vocals. Just click play.

New Birds Melt Sky: “Oneday, Someday”

Haven’t heard much from Birds Melt Sky in a long time…2010, to be exact…which explains why I completely forgot what they sounded like. I originally wrote a post about “Oneday, Someday,” noting how it marked a change in style for the group because the beat was more prominent, making the song more physical, more danceable (I had this word in italics). I thought Birds Melt Sky were doing shoegaze stuff before, so this new track sounded pretty neat. Then I went back and listened to that old song linked above and…turns out “Oneday, Someday” isn’t all that much of a stylistic shakeup, but really more of the same! Which isn’t bad…it’s still a good song…but also a little disappointing. Ahhh well, listen above.